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Its Entertainment

Cast :

 Akshay Kumar,

Tamannaah,

 Prakash Raj,

 Sonu Sood,

 Mithun Chakraborty,

  Krushna Abhishek

Director :  Sajid-Farhad

Producer :  Ramesh Taurani

Plot : Failures are stepping stones to success but in case of our lead protagonist, Mr. Akhil Lokhande, every step towards success aims stones of failures towards him. An under-dog in each and every step of life who struggles to make ends meet by doing petty jobs He does all this to support his ailing father who is admitted in hospital for months, but Akhil overhears his father in the hospital explaining to a nurse that he has a passion for easy life so he pretends to be ill to achieve comforts, Akhil gets the biggest jolt when he hears his ‘father’ saying that Akhil is not his son…..and this ‘father’ had actually claimed him as his son in a train accident to gain more compensation from the government. Akhil gets to know that his real father is none other than the richest diamond merchant, ‘Pannalal Johri’ who had cheated his mother. An over excited Akhil goes to break this news to his pal ‘Krishna’ whereas his pal before hearing out Akhil, breaks the news that the multi millionaire tycoon ‘Pannalal Johri’ is dead, Akhil’s sadness is camouflaged with happiness as he comes to know that pannalal Johri has no heir and he would definitely be the ‘official waaris’ of the tycoon. Akhil breaks this news to his girlfriend’s father who on hearing Suddenly starts pampering and sugar coating Akhil as his ‘jigar ka tukda’

With hatred for his father for betraying his mother, Akhil attends his father’s funeral and sheds crocodile tears but is all smiles from inside. Akhil gets the biggest jolt when the family lawyer informs him that his father has willed his entire wealth and property to his one and only faithful DOG…..Entertainment. Akhil cries his heart out to his friend who gives an idea of killing the dog as the dog was living Akhil’s life and Akhil living the life of a dog…

The plan to eliminate the dog is chalked out for which Akhil has to be close to the dog, so Akhil coaxes the family Lawyer to give him a job at his father’s place. The family lawyer appoints him as the caretaker of the dog. Akhil and his friend roll out plans to kill the dog in such a way that it appears like an accident but the dog in return turns out to be more intelligent than them.

Humans have 5 senses while Dogs have six, and this is proved in a series of events where Akhil and Krishna try to kill the Dog and fail miserably in each and every try.

During this chain of events where Akhil tries to eliminate the dog, we introduce a third force which are actually the far off relatives of Pannalal – The brothers- ‘Karan-Arjun’ who have their wicked pangs tagged on the wealth of Pannalal even prior to Akhil’s realization. This brother duo knowing that the dog’s life span is around twelve years, their bigger enemy is Akhil and they decide that it is more important to eliminate him. So what transpires are sequences where the dog is being planned to kill by Akhil and his friend while in turn Akhil and His friend are being planned to be killed by brother duo. At one point of time, brother duos are on the verge to execute Akhil when the dog plays an important part of a savior and saves Akhil. The incident gives Akhil a big emotional jolt, realizing ‘inhumanity of human is returned by humanity of an animal’ Akhil begs for forgiveness to the dog and leaves the place. The Brothers present a fake presentation in the court. The dog is thrown onto the streets where Akhil comes and joining hands with the dog like two heroes decide to take revenge from the two villains.

What follows next is the chain of events where the whole group Akhil, Saakshi, Krishna, Johnny & the Dog take the two brothers at task forms the balance part of the film….

Do Akhil and the gang succeed in taking revenge with the two wicked Villains Karan-Arjun…???

Does the Dog Die in the end….???

Who gets the inherited wealth…..???

The answers to all these questions form the balance part of the Film…

Actors : Akshay Kumar, Mithun Chakraborty, Prakash Raj, Sonu Sood

Actress : Tamannaah

Transformers: Age of Extinction

"Transformers: Age of Extinction"

is such a big movie that it actually starts with the extinction of the dinosaurs. After that, things jump ahead to our near-future, a time period where Mark Wahlberg is an inventor and Stanley Tucci subsists on chewing scenery (he's a Tuccisaurus). There are also giant robots that turn into cars, giant robots that turn into dinosaurs and a giant robot voiced by John Goodman, who has a rotund robot belly and metal beard. If you think we've found a "Transformers" movie based on those previous sentences, you're right. Ahead, the four most effective parts of Michael Bay's fourth "Transformers" film (which, much to our chagrin, isn't called "Trans4mers").

If you look at the most artistically successful big-budget sequels, the characters continue to drive the narrative. Christopher Nolan's Batman is emotionally spent and on the wrong side of the law. Han Solo is trapped in a block of carbonite and his friends are on the run. Khan wants to punish Kirk for the pain inflicted on his people.

The human characters in "Transformers: Age of Extinction" have no such motivations. After short establishing scenes sort out which of the three stereotypes they will inhabit (flawed good guy, goofball sidekick or evil mastermind), they do nothing but run and fall down, run and fall down, occasionally interrupted by a slow-motion leap away from an explosion.

The best moments are early in the film, when the live-action scenes still outnumber the CGI goulash. Mark Wahlberg replaces Shia LaBeouf as the main protagonist, a struggling Texas inventor named Cade Yeager, who stumbles into the severely wounded body of good-guy Transformer leader Optimus Prime.

We see that a secret wing of the U.S. government is hunting down and executing other Autobots, with the help of a mercenary alien man-machine. Characters actually speak full sentences to each other, until the setup ends with a very satisfying scene where Prime re-emerges to save the family farm.

The first "Transformers," released in 2007, sustained that pace throughout the majority of the film, and it was a good movie. But with the need to visually one-up the previous film, storytelling in "Transformers" sequels always drops off a cliff in favor of spectacle. The actors become no more than action figures, growing smaller and smaller in an increasingly busy landscape. Run. Fall. Slow-motion leap. Run. Fall. Slow-motion leap. Pause at the end to set up the sequel.

There are problems from a hard-core geek's perspective as well: namely that the Transformers no longer look like Transformers. It must seem like progress from the filmmakers' point of view, adding much more detail to the faces and smoother transformations from robot to vehicle. As a result the good and bad guy robots - especially the newer ones - look more like Terminators than Transformers. Unlike last year's excellent-on-all-fronts giant-robot movie "Pacific Rim," the scale here looks all wrong.

We save the worst news for last: The new "Transformers" is a completely unnecessary and soul-crushing 165 minutes long, bloated by exposition and plot turns that sound as if they were being made up as the movie was shot. You could cut 45 minutes out of "Transformers: Age of Extinction" in completely random places; it would be a much better movie (and only slightly less coherent).

I can't believe I'm saying this out loud. But the "Transformers" film series is in desperate need of a reboot.

Humans

Mark Wahlberg as Cade Yeager, a single father and struggling inventor.

Stanley Tucci as Joshua Joyce, the arrogant head of KSI who wants to build his own Transformers

Kelsey Grammer as Harold Attinger, a paranoid CIA agent who created the Cemetery Wind to eliminate all Transformers from Earth.

Nicola Peltz as Tessa Yeager, Cade's daughter.

Jack Reynor as Shane Dyson, Tessa's boyfriend and an Irish race car driver.

Sophia Myles as Darcy Tyril, Joshua's geologist assistant.

Li Bingbing as Su Yueming, head of the KSI factory in China.

Titus Welliver as James Savoy, field leader of the Cemetery Wind.

T. J. Miller as Lucas Flannery, Cade's best friend and a mechanic.

Melanie Specht as the "Grande Dame", Joshua's senior executive assistant.

Victoria Summer as Joshua's executive assistant.

Ray Lui and Michael Wong were cast as Hong Kong police officers. Han Geng has a cameo, singing and playing the guitar in a parked car that is magnetized by Lockdown's ship. General Motors Vice President of Design Edward T. Welburn has a cameo appearance.

dawn of the planet of the apes

dawn of the planet of the apes story

-Release Date: July 11, 2014

-Studio: 20th Century Fox

-Director: Matt Reeves

-Just before the 2011 installment Rise of the Planet of the Apes hit theaters, many a person was either skeptical or less than enthused about the continuation of the Apes franchise, exactly one decade after Tim Burton’s take on the property with Planet of the Apes (2001) left the moviegoing masses feeling lukewarm.

However, thanks in no small part to Andy Serkis’ moving motion-capture performance as the simian Caesar, Rise was able to impress the public with its genre-blending storyline (sci-fi cautionary tale, prison escape thriller, etc.) – offering the kind of relevant blockbuster entertainment that few expected, and thus were able to appreciate all the more.

Of course, in Hollywood one faith-restoring franchise movie isn’t enough, and so this year we’re getting a sequel in Dawn of the Planet of the Apes (with a third installment scheduled for 2016). Fortunately, the Dawn trailer footage has so far been promising, suggesting the film – with Matt Reeves (Cloverfield) directing instead of Rise helmer Rupert Wyatt – has the potential to be another smart and enjoyable addition to the Planet of the Apes series.

The story for Dawn picks up a decade after Rise, as the global human population has been substantially reduced in size due to the outbreak of the engineered “Simian Flu” virus. Meanwhile, Caesar and his fellow ape sanctuary escapees have spent all these years growing (and expanding) their own community, which Serkis told Empire has flourished on the outskirts of San Francisco (even as the humans within that city have had an especially hard time):

“This is now a community of about 2,000 apes. For the first eight years [after the humanity-devastating virus], the apes were looking down from Muir Woods to San Francisco and could see lights and fires, but now it’s gone very quiet. Until this day in our film when this small band of humans comes up. That’s suddenly a huge, dividing moment in the lives of these apes. There are some particularly strong reactions to the humans and that’s the course of the story.”

These images provide another look at the other actors who (via performance-capture techniques) play simians in the film, alongside Andy Serkis as Caesar. In addition, these pics show Reeves directing on the set, as well as human character actors Keri Russell – whose working history with Reeves goes back to her days on Felicity (which the latter co-created with J.J. Abrams) – and Jason Clarke, pictured above with Russell and Serkis in his mo-cap outfit riding a horse (which doubles as a meta-nod to the Apes films of the 1960s and ’70s).

That Serkis, Russell, and Clarke pic alludes to another complication in the Dawn of the Planet of the Apes narrative – Caesar’s sympathy for humanity being greater than his peers’, due to his memories of kindness shown to him by his adopted father Will Rodman (James Franco) and grandfather Charles (John Lithgow). If that and the aforementioned plot elements are handled appropriately, then this Planet of the Apes movie could be just as satisfying (if not more so) than its predecessor – and thus, given everyone reason to want to see the story continue onward.

__________________________________________________

-Screenwriter: Scott Z. Burns, Amanda Silver, Rick Jaffa, Mark Bomback

-Starring: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee, Enrique Murciano, Kirk Acevedo, Judy Greer

-Genre: Sci-Fi

-MPAA Rating: PG-13 (for intense sequences of sci-fi violence and action, and brief strong language)

-Plot Summary: A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species.

The Bollywood Dabangg Man Salman khan will be seen in his next movie Kick(2014). The film is directed & produced by Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment. He is great director & also producer in hindi cinemas. He was already directed so many super hit movies like Heyy Babyy, Housefull, Housefull 2 etc. In kick movie, Salman Khan are in the lead role with opposite Actress Race 2 beauty Jacqueline Fernandez. This will be a first time to seen Jacqueline fernandez share screen with super hero Salman khan. It is very interesting to seen chemistry between them. The movie will be expected to release in 2014.

Also Read: Kick Movie (2014) Star Cast, Review & Ratings

The kick film is an Romantic with Action based movie.It is the remake of a Telugu blockbuster of the same name and it is being directed and produced by Sajid Nadiadwala. The story of this movie is written by also Sajid Nadiadwala. The beautifull music is composed by Shankar- Ehsaan-Loy.Here is also a news that first deepika will be approaches for this movie, But now she is replace with Jaqueline Fernandez

Kick is an upcoming bollywood action movie in 2014. Salman Khan is a great  Action hero in hindi cinemas. He was given so many action movies which was a super box office hit films like Wanted, BodyGuard, Ready,Dabangg, Dabangg 2. Salman Khan Fans are very excited for his next movie & they also love to watch this movie. I think the presence of Salman Khan is enough for any movies & the movie

Movie Star Cast

Salman Khan

Jacqueline Fernandez

 Randeep Hooda

Sunil Shetty

Paresh Rawal

Movies details

Director- Sajid Nadiadwala

Producer- Sajid Nadiadwala

Star cast- Salman Khan, Jacqueline Fernandez,Randeep Hooda

Banner-  Nadiadwala Grandson Entertainment Pvt.Ltd

Music director- Himesh Reshamiya

Screenplay- Chetan Bhagat

Story- Sajid Nadiadwala

Diolouge- Rajat Aroraa

Genre- Action, Romance

Release date- year 2014

Language- Hindi

HOLIDAY MOVIE 2014 STORY

Holiday features Akshay Kumar and Sonakshi Sinha in leading roles. Seen in supporting roles are Govinda, Sumeet Raghavan and Freddy Daruwala. Holiday is said to be a remake of 2012 Tamil film Thuppakki. Here’s what we thought about the Hindi version by A.R Murgadoss…

 What’s it about

Virat Bakshi (Akshay Kumar) is a Captain in

DIA (Defence Intelligence Agency), a wing of the Indian Army. He returns to his hometown for a holiday, but is set off on a mission rather than bunking it out in his room. His mission involves tracking down sleeper agents in Mumbai as he discovers their plan to blast six different areas simultaneously, within the city. His ultimate quest is to find the leader of the sleeper cells played by Freddy Daruwala. He is helped by his police inspector companion, played by Sumeet Raghavan. The plot running on parallel lines, involves Saiba( Sonakshi Sinha) who is a boxer and is Virat’s love interest in the film.

 What’s hot

Akshay steals the show with his dare devil stunts and action scenes. He looks every bit an Army man and thankfully does justice to the role. Known for his deadly stunts and mighty kicks, there’s no beating Akki when it comes to action. Apart from Akshay, Sumeet Raghavan is surprisingly a treat to watch. Perfect comic timing topped with witty one liners, Raghavan has managed to create an impact with his character. Along with this, the sudden twist in the story is interesting. Where this film starts out with the cliched “girl hates boy and vice-versa” nonsense, it grows intense with a scene showcasing the first bomb blast followed by Akshay Kumar’s chasing sequence. The action stunts although hideously defying the entire law of science on the whole, still manage to create that “wow” effect. The best part about the whole movie is a Labrador, yes a dog. We won’t give it all away…

 What’s not

Sonakshi Sinha disappoints us in Holiday.There isn’t much she has to do apart from being in the songs and dancing with Akshay. Freddy Daruwala on the other hand would win “the best looking villain” contest if there was one. However this villain falls flat when it comes to convincing the audience of his sheer monstrosity. The plot of the movie starts on an appealing note, but gradually loses its marbles. Certain scenes are unintentionally funny. For instance there’s a scene where Akshay Kumar twists the bones of his fractured arm to their original place, and continues to fight the villain. At this stage, one would be certain that logic isn’t one of the strong points of the film. Another “not hot” aspect of this film is the limited role of Govinda. Where we wished to see more of Govinda and less of Sonakshi, the makers to our utter disappointment, evidently didn’t agree. The music of the film (by Pritam) fails to make us hum the tunes. Although the dance sequences manage to grab eyeballs with their unique choreography, the songs are worth a miss. Although setting out to change our notion of the Army and representing the functioning of terrorist networks to create a general awareness, Holiday creates a different impact instead where the viewer is left confused with the entire plot and is forced to question the pretentious sentiment of integrity depicted in the film.

 What to do

Watch it for Akshay and his amazing ability to make even the unreal stuff look real!

Movie review: Amazing Spider-Man 2

After the positive response to The Amazing Spider-Man reboot, expectations were high from the sequel, especially after the addition of Jamie Foxx to the cast. But as the credits roll, the fall from expectation to reality is steep, much like the fall a central character suffers.

While the action sequences and general acting are good, the number of villains and limited character development make following the plot a bit of a mental exercise. Why does Electro (Jamie Foxx) conveniently go from harmless to evil? How does his transformation from human to super-villain work? Why are there three villains stuffed in the same movie when the same idea failed miserably in Spider-Man 3 that featured Spider-Man’s most captivating rival, Venom? Without clear connections and overlapping story elements, director Marc Webb leaves the movie spinning without any focus.

Granted that as a comic book character Electro is no Venom, but considering how good the hero behind the makeup and computer-generated imagery is, the limited character development appears to be a waste of talent on the writers’ part. Perhaps the screen time allotted to Harry Osborne played by Dane DeHaan could have been better spent showing Electro’s slide to evil, making the transformation more believable. The same applies to Paul Giamatti’s Rhino, who will probably make an appearance in sequels as a more prominent character.

The Peter Parker-Gwen Stacy storyline is well done and comes as a respite from the fight scenes, but even here, a chance to move Spider-Man into a more ‘human’ hero with real-world emotions and weaknesses is wasted. Anyone familiar with the ’70’s Spider-Man storyline will be stunned when they come across the twist in the storyline after which Peter’s teenage angst and some of his childish behaviour is largely brushed aside as opposed to in the comic book storyline.

The amount of green screen involved in the action scenes also alienates the older viewer. Many superhero movies have avoided this by having a few action sequences with the hero out of costume, including the previous Spider-Man installments, but in this movie’s defense, that becomes difficult when the villain is a glowing electrical construct.

Spider-Man is the unofficial mascot of Marvel Comics, which makes it appropriate to compare it with DC Comic’s Superman, another financially successful movie that left most fans polarised. But where Superman won outright was setting a platform for character development in future movies. The most recent Marvel Comics movie Captain America: The Winter Soldier was also a phenomenal success because of the mix of comic book canon and original writing, leaving even loyal readers gasping in some scenes. In The Amazing Spider-Man 2, however, there are few, if any moments of awe.

This might also be because Spider-Man (along with the X-Men) is not part of the main Marvel Cinematic Universe in which The Avengers and movies featuring the superhero team members all star. Unfortunately the licensing issues resulted in the comic book storylines losing their edge which cost the movie in the form of lost fans.